Claudio Monteverdi, Regula Mühlemann, CHAARTS Chamber Artists's ' "Lamento della Ninfa, SV 163: Amor, amor (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz)" was released on its scheduled release date, September 23, 2022. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Lamento della Ninfa, SV 163: Amor, amor (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Lamento della Ninfa, SV 163: Amor, amor (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Lamento della Ninfa, SV 163: Amor, amor (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) by Claudio Monteverdi, Regula Mühlemann, CHAARTS Chamber Artists to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
Madrigals, Book 7, SV 117–145: No. 29, Tirsi e Clori, SV 145 | Claudio Monteverdi, Les Arts Florissants, Lisandro Abadie, Lucile Richardot, Mhairi Lawson, Miriam Allan, Paul Agnew, Zachary Wilder | C Major | 1 | 8B | 72 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Fünf Lieder: Die Stille Stadt | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | D Major | 0 | 10B | 62 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: VI. Wohl mir, dass ich Jesum habe - Arr. for French Horn | Johann Sebastian Bach, Felix Klieser, CHAARTS Chamber Artists | F Major | 1 | 7B | 82 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) | Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | E♭ Minor | 1 | 2A | 58 BPM |