"Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b" by Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon had its release date on November 15, 2000. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 2 out of 10 in Berlioz: Les Nuits d'été by Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon. Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b by Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | G Minor | 1 | 6A | 68 BPM | ||
Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz | Gustav Mahler, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A Minor | 1 | 8A | 87 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Elina Garanca, Cristina Antoaneta Pasaroiu, Giuseppina Bridelli, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | C Major | 1 | 8B | 111 BPM | ||
Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM |