The Sixteen's 'Messiah: Part 1, Symphony' came out on September 1, 2008. The duration of Messiah: Part 1, Symphony is about 3 minutes long, at 3:09. Based on our data, "Messiah: Part 1, Symphony" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 1 out of 56. In terms of popularity, Messiah: Part 1, Symphony is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 1, Symphony by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | ||
O di Betlemme, altera poverta ventu: I. Sinfonia | Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Major | 0 | 11B | 77 BPM | ||
Air from Suite No. 3 in D BWV 1068 | Stephen Cleobury, Academy of Ancient Music | D♭ Major | 0 | 3B | 80 BPM | ||
Concerto Grosso In C Major, Op. 6, No. 10: IV. Corrente: Vivace | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | C Major | 2 | 8B | 94 BPM | ||
Vesperae solennes de confessore, K. 339: Laudate Dominum | Wolfgang Amadeus Mozart, Renée Fleming, London Voices, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 92 BPM | ||
This is the record of John | Orlando Gibbons, University of California Chamber Chorus, John Butt | F Major | 2 | 7B | 80 BPM | ||
Away In A Manger | William J. Kirkpatrick, DappyTKeys | E♭ Major | 0 | 5B | 58 BPM | ||
Fasch: Trumpet Concerto in D Major, FWV L:D1: I. Allegro | Johann Friedrich Fasch, Alison Balsom, Pavlo Beznosiuk, Academy of Ancient Music | A♭ Major | 3 | 4B | 103 BPM | ||
Messiah - Part 1: "Behold, A Virgin Shall Conceive...O Thou That Tellest Good Tidings" | George Frideric Handel, Carolyn Watkinson, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 83 BPM | ||
Ave Maris Stella | Edvard Grieg, The Sixteen, Harry Christophers | G Major | 1 | 9B | 136 BPM |