"Air from Suite No. 3 in D BWV 1068" by Stephen Cleobury, Academy of Ancient Music was released on April 18, 2000. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 52 in Bach: Magnificat in D etc. by Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Air from Suite No. 3 in D BWV 1068 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Air from Suite No. 3 in D BWV 1068 by Stephen Cleobury, Academy of Ancient Music is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Rise up, my love, my fair one, Op. 314 | Healey Willan, Matthew Larkin, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 137 BPM | ||
Miserere II in C minor: 1. Miserere mei, Deus | Giovanni Battista Pergolesi, The Choir of Magdalen College, Oxford, The Wren Orchestra, Bernard Rose | D♭ Major | 2 | 3B | 120 BPM | ||
Miserere | Gregorio Allegri, Saul Quirke, Westminster Cathedral Choir, Stephen Cleobury | G Minor | 0 | 6A | 75 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 136 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Minor | 3 | 5A | 98 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | B♭ Major | 0 | 6B | 101 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM |