Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl's 'O di Betlemme, altera poverta ventu: I. Sinfonia' came out on August 26, 1999. The duration of O di Betlemme, altera poverta ventu: I. Sinfonia is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. O di Betlemme, altera poverta ventu: I. Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Roman Christmas: Italian Concertos and Cantatas". In this album, this song's track order is #8. O di Betlemme, altera poverta ventu: I. Sinfonia is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O di Betlemme, altera poverta ventu: I. Sinfonia by Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christmas Oratorio, BWV 248: Jauchzet, frohlocket, auf, preiset die Tage! (Chorus) | Christian Friedrich Henrici, Janos Tóth, Ingrid Kertesi, Judit Nemeth, Jozsef Mukk, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Johann Sebastian Bach | D Major | 3 | 10B | 142 BPM | ||
Auld Lang Syne (Arr. Riley) | Traditional, Jess Gillam | C Major | 0 | 8B | 68 BPM | ||
O Come, O Come, Emmanuel | Traditional Song, Zoltán Kodály, Jonny Southard | D Minor | 0 | 7A | 80 BPM | ||
Silent Night (Arr. Rimmer / Maydew) | Franz Xaver Gruber, Jess Gillam, Ming Liu | B♭ Major | 0 | 6B | 74 BPM | ||
Noëls sur les i nstruments, H 531, 534: IV. Où s'en vont ces gais bergers? | Marc-Antoine Charpentier, The English Concert, Trevor Pinnock | G Major | 1 | 9B | 114 BPM | ||
Away In A Manger | William J. Kirkpatrick, The Choir of Royal Holloway | F Major | 0 | 7B | 76 BPM | ||
Hark! The Herald Angels Sing | The City of Prague Philharmonic Orchestra, Richard Hein, Voices West | F Major | 2 | 7B | 107 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Michael Chance, Stephen Cleobury | D♭ Minor | 0 | 12A | 76 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: No. 10 Choral: "Jesus bleibet meine Freude" | Johann Sebastian Bach, Crispian Steele-Perkins, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 131 BPM | ||
Messiah: Part 3, Amen (Chorus) | The Sixteen | D♭ Major | 3 | 3B | 109 BPM |