Christian Friedrich Henrici, Janos Tóth, Ingrid Kertesi, Judit Nemeth, Jozsef Mukk, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Johann Sebastian Bach made "Christmas Oratorio, BWV 248: Jauchzet, frohlocket, auf, preiset die Tage! (Chorus)" available on October 13, 1992. Since Christmas Oratorio, BWV 248: Jauchzet, frohlocket, auf, preiset die Tage! (Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christian Friedrich Henrici's "J.S. Bach: Christmas Oratorio, BWV 248" album is number 1 out of 65. Based on our statistics, Christmas Oratorio, BWV 248: Jauchzet, frohlocket, auf, preiset die Tage! (Chorus)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Christmas Oratorio, BWV 248: Jauchzet, frohlocket, auf, preiset die Tage! (Chorus) by Christian Friedrich Henrici, Janos Tóth, Ingrid Kertesi, Judit Nemeth, Jozsef Mukk, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Johann Sebastian Bach to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 8 in E flat minor, BWV 853 | Luc Beauséjour | D Minor | 4 | 7A | 65 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
Matthäuspassion, BWV 244: Er antwortete und sprach (Evangelist, Jesus, Judas) | Johann Sebastian Bach, Locky Chung, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
Gott Hilf Mir, BuxWV 34: Israel, hoffe auf den Herren | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 3, Im Treibhaus | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Gagliarda Terza detta la Talianella | The Royal Wind Music | A♭ Major | 1 | 4B | 169 BPM | ||
Scarlatti, D: Keyboard Sonata in D Major, Kk. 492 | Domenico Scarlatti, Scott Ross | D♭ Major | 6 | 3B | 126 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
Funeral Anthem for Queen Caroline, HWV 264: II. The Ways of Zion Do Mourn | George Frideric Handel, Alsfelder Vocal Ensemble, Bremen Baroque Orchestra, Wolfgang Helbich | D♭ Major | 1 | 3B | 101 BPM |