The Sixteen's 'Messiah: Part 3, Amen (Chorus)' came out on September 1, 2008. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 31 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah: Part 3, Amen (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 3, Amen (Chorus) by The Sixteen to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mid-Winter Songs: No. 2. Like snow | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | B Major | 0 | 1B | 130 BPM | ||
Messiah: Part 3, I know that my redeemer liveth (Air, Soprano) | The Sixteen | E♭ Major | 1 | 5B | 133 BPM | ||
Purcell: Ode for Queen Mary's Birthday (Come, Ye Sons of Art Away), Z. 323: No. 3, Aria "Come, ye sons of art" (Alto) | Henry Purcell, Iestyn Davies, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 103 BPM | ||
Zadok The Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Choir of King's College, Cambridge, James Vivian, Robert Quinney, Stephen Cleobury | D Major | 2 | 10B | 89 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | D Major | 3 | 10B | 97 BPM | ||
The Oxen | Tenebrae, Nigel Short | B♭ Minor | 0 | 3A | 166 BPM | ||
"Will the Sun Forget to Streak" from Oratorio 'Solomon', HWV 67 (Arr. for Oboe, Violin, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A♭ Minor | 1 | 1A | 120 BPM | ||
Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) | The Sixteen | F♯ Minor | 1 | 11A | 100 BPM | ||
Psallite Unigenito | Chanticleer | F Major | 1 | 7B | 135 BPM | ||
Der Messias - In deutscher Sprache / Erster Teil: III. Chor: "Denn die Herrlichkeit Gottes" | George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Chor | B Major | 2 | 1B | 82 BPM |