"Messiah: Part 2, How beautiful are the feet of them (Air, Soprano)" by The Sixteen was released on September 1, 2008. The duration of Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Messiah: Part 2, How beautiful are the feet of them (Air, Soprano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 15 out of 56. In terms of popularity, Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The First Nowell (arr. David Willcocks) | Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | D Major | 1 | 10B | 100 BPM | ||
Videntes stellam Magi | Orlande de Lassus, Traditional, The Sixteen, Harry Christophers | F Minor | 2 | 4A | 175 BPM | ||
Ceremony of Carols, Op.28: Balulalow | Benjamin Britten, Choir of King's College, Cambridge, Rachel Masters, Stephen Cleobury | F♯ Minor | 0 | 11A | 82 BPM | ||
Lullaby My Sweet Little Babe | William Byrd, The Sixteen, Harry Christophers | G Major | 1 | 9B | 107 BPM | ||
Corelli : Concerto grosso in G minor Op.6 No.8, 'Fatto per la notte di Natale' [Christmas Concerto] : I Vivace - Grave | Il Giardino Armonico | B Minor | 0 | 10A | 107 BPM | ||
Christus factus est pro nobis | Felice Anerio, Sistine Chapel Choir, Massimo Palombella | G Minor | 1 | 6A | 80 BPM | ||
Messiah, HWV 56 / Pt. 2: 34a. Air: Thou art gone up on high | George Frideric Handel, Charles Brett, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 110 BPM | ||
Missa Assumpta est Maria: Agnus Dei I & II | Giovanni Pierluigi da Palestrina, The Sixteen | F Major | 1 | 7B | 78 BPM | ||
Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings" | George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 83 BPM | ||
Messiah, HWV 56 / Pt. 2: He Was Despised | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda Hodgson | E♭ Major | 1 | 5B | 75 BPM |