Messiah: Part 2, How beautiful are the feet of them (Air, Soprano)

The Sixteen
Handel: Messiah
2:08 2008年9月1日
テンポ
100
キー
F♯ Minor
キャメロットミュージックキー
11A

リンクを埋め込む

共有

Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) - The Sixteen 情報

音響性
97%
ダンサビリティ
24%
エネルギー
6%
手段性
0%
活気
8%
ラウドネス
61%
話し言葉
5%
価数
8%
人気
ラウドネス
-23.556 dB

まとめ

"Messiah: Part 2, How beautiful are the feet of them (Air, Soprano)" by The Sixteen was released on September 1, 2008. The duration of Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Messiah: Part 2, How beautiful are the feet of them (Air, Soprano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 15 out of 56. In terms of popularity, Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) テンポ

We consider the tempo marking of Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Messiah: Part 2, How beautiful are the feet of them (Air, Soprano) キー

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
The First Nowell (arr. David Willcocks) by Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew SackettThe First Nowell (arr. David Willcocks)Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew SackettD Major110B100 BPM
Videntes stellam Magi by Orlande de Lassus, Traditional, The Sixteen, Harry ChristophersVidentes stellam MagiOrlande de Lassus, Traditional, The Sixteen, Harry ChristophersF Minor24A175 BPM
Ceremony of Carols, Op.28: Balulalow by Benjamin Britten, Choir of King's College, Cambridge, Rachel Masters, Stephen CleoburyCeremony of Carols, Op.28: BalulalowBenjamin Britten, Choir of King's College, Cambridge, Rachel Masters, Stephen CleoburyF♯ Minor011A82 BPM
Lullaby My Sweet Little Babe by William Byrd, The Sixteen, Harry ChristophersLullaby My Sweet Little BabeWilliam Byrd, The Sixteen, Harry ChristophersG Major19B107 BPM
Corelli : Concerto grosso in G minor Op.6 No.8, 'Fatto per la notte di Natale' [Christmas Concerto] : I Vivace - Grave by Il Giardino ArmonicoCorelli : Concerto grosso in G minor Op.6 No.8, 'Fatto per la notte di Natale' [Christmas Concerto] : I Vivace - GraveIl Giardino ArmonicoB Minor010A107 BPM
Christus factus est pro nobis by Felice Anerio, Sistine Chapel Choir, Massimo PalombellaChristus factus est pro nobisFelice Anerio, Sistine Chapel Choir, Massimo PalombellaG Minor16A80 BPM
Messiah, HWV 56 / Pt. 2: 34a. Air: Thou art gone up on high by George Frideric Handel, Charles Brett, English Baroque Soloists, John Eliot GardinerMessiah, HWV 56 / Pt. 2: 34a. Air: Thou art gone up on highGeorge Frideric Handel, Charles Brett, English Baroque Soloists, John Eliot GardinerD♭ Minor012A110 BPM
Missa Assumpta est Maria: Agnus Dei I & II by Giovanni Pierluigi da Palestrina, The SixteenMissa Assumpta est Maria: Agnus Dei I & IIGiovanni Pierluigi da Palestrina, The SixteenF Major17B78 BPM
Messiah / Part 1: Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings"George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville MarrinerD Major210B83 BPM
Messiah, HWV 56 / Pt. 2: He Was Despised by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda HodgsonMessiah, HWV 56 / Pt. 2: He Was DespisedGeorge Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda HodgsonE♭ Major15B75 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records