George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings"' came out on January 1, 1976. Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings" is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 6 out of 37. On top of that, United Kingdom appears to be the country where this track was created. Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings" is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings" by George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass A 4: Agnus Dei | Oxford Camerata, William Byrd | A♭ Major | 0 | 4B | 132 BPM | ||
Ave Maria, gratia plena… Virgo serena | Josquin des Prez, The Cambridge Singers, John Rutter | C Major | 0 | 8B | 80 BPM | ||
Purcell: I Was Glad, Z. 19 | Henry Purcell, Chanticleer, Capriccio Stravagante, Olivier Fortin, Joseph Jennings, Skip Sempé | G Major | 0 | 9B | 126 BPM | ||
In dulci jubilo (Arr. Robert de Pearsall) | Traditional, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 1 | 7B | 89 BPM | ||
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : II. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | G Minor | 3 | 6A | 173 BPM | ||
Ave Maria | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Ensemble Musique Oblique | F Major | 0 | 7B | 147 BPM | ||
Thou knowest, Lord, the secret of our hearts, Z. 58 | Henry Purcell, The Cambridge Singers, John Rutter | B♭ Major | 0 | 6B | 76 BPM | ||
Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
Jesus Christ the Apple Tree | The Sixteen | C Major | 1 | 8B | 86 BPM | ||
O di Betlemme, altera poverta ventu: I. Sinfonia | Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Major | 0 | 11B | 77 BPM |