"Der Messias - In deutscher Sprache / Erster Teil: III. Chor: "Denn die Herrlichkeit Gottes"" by George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Chor was released on January 1, 1965. The duration of Der Messias - In deutscher Sprache / Erster Teil: III. Chor: "Denn die Herrlichkeit Gottes" is about 3 minutes long, at 3:21. Based on our data, "Der Messias - In deutscher Sprache / Erster Teil: III. Chor: "Denn die Herrlichkeit Gottes"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Münchener Bach-Orchester, Karl Richter's "Handel: Der Messias" album is number 4 out of 49. On top of that, Germany appears to be the country where this track was created. Der Messias - In deutscher Sprache / Erster Teil: III. Chor: "Denn die Herrlichkeit Gottes" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Messias - In deutscher Sprache / Erster Teil: III. Chor: "Denn die Herrlichkeit Gottes" by George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Chor to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 4. Allegro | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
Concerto No. 4 in G major, BWV 1049: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester | D Minor | 0 | 7A | 135 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 118 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM |