Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal, Jean-Christophe Lanièce made "Te Deum "de Lyon": XV. Per singulos dies benedicimus te" available on January 5, 2024. With Te Deum "de Lyon": XV. Per singulos dies benedicimus te being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 28 in Charpentier & Desmarest: Te Deum by Ensemble les Surprises, Louis-Noël Bestion de Camboulas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te Deum "de Lyon": XV. Per singulos dies benedicimus te is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum "de Lyon": XV. Per singulos dies benedicimus te by Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal, Jean-Christophe Lanièce is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Gentlemen of Verona - Incidental Music: Who is Sylvia? | Henry Rowley Bishop, Susan Gritton, Andrew King, William Purefoy, Roderick Williams, Simon Grant, Musicians Of The Globe, Philip Pickett | E♭ Major | 1 | 5B | 77 BPM | ||
Germanico in Germania, Act II Scene 12: Terzetto. Temi lo sdegno mio (Germanico, Arminio, Rosmonda) | Nicola Porpora, Samuel Mariño, Valer Sabadus, Filippo Mineccia, Orchestre de l'Opéra Royal, Stefan Plewniak | A♭ Major | 4 | 4B | 126 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Myslieček: Demetrio: "Nacqui agli affani in seno" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | C Minor | 1 | 5A | 88 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Desmarest : Lauda Jerusalem : VIII "Non fecit taliter" | Henry Desmaret, Henri Desmarets, William Christie | A Minor | 3 | 8A | 109 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Cum invocarem: Recitative: Signatum est (Soprano) | Henri Desmarets, Hanna Bayodi, Stephanie Revidat, Francois-Nicolas Geslot, Sebastien Droy, Benoit Arnould, Le Concert Spirituel, Herve Niquet | D Major | 1 | 10B | 114 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 1, Mein Herze schwimmt im Blut | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | A Major | 1 | 11B | 87 BPM |