"Where Has Summer Gone?" by Ben Moore, Liz Callaway, Brian Zeger was released on April 22, 2022. The duration of Where Has Summer Gone? is about 3 minutes long, at 3:15. Based on our data, "Where Has Summer Gone?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ben Moore, Brian Zeger's "Gathering" album is number 16 out of 22. On top of that, United States appears to be the country where this track was created. In terms of popularity, Where Has Summer Gone? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Where Has Summer Gone? by Ben Moore, Liz Callaway, Brian Zeger to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Adams: Girls of the Golden West, Act II Scene 3: It seems like midnight | John Adams, Los Angeles Philharmonic, Davóne Tines, Daniela Mack, Ryan McKinny | A Major | 0 | 11B | 79 BPM | ||
H.M.S. Pinafore / Act 1: Hail! Men o'war's men..I'm called little buttercup | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 87 BPM | ||
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: Tower warders, under orders (People, Yeomen of the Guard, Second Yeoman) | Arthur Sullivan, Alexander Young/John Carol Case/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | C Major | 2 | 8B | 78 BPM | ||
A Piper | Charlotte Hoather, George Todica | G Major | 3 | 9B | 76 BPM | ||
Considering Matthew Shepard: Passion, 21. Stars | Craig Hella Johnson, Conspirare | B Major | 0 | 1B | 98 BPM | ||
À Chloris | Reynaldo Hahn, Benjamin Appl, James Baillieu | D Major | 0 | 10B | 70 BPM | ||
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Abendgang im Lenz, Op.111b, No. 2 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | C Major | 0 | 8B | 82 BPM | ||
Considering Matthew Shepard: Passion, 26. Deer Song | Craig Hella Johnson, Conspirare | E Minor | 1 | 9A | 125 BPM |