"Abendgang im Lenz, Op.111b, No. 2" by Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel was released on April 19, 2024. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Reger, Huelgas Ensemble, Paul Van Nevel's "Max Reger: Melancholy (Vocal Works)" album is number 5 out of 13. On top of that, Germany appears to be the country where this track was created. Abendgang im Lenz, Op.111b, No. 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abendgang im Lenz, Op.111b, No. 2 by Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa della Madonna: Tocata avanti la Messa della Madonna | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7: Choralvorspiel | Clara Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Organ Concerto in G Minor, FP 93: II. Allegro giocoso | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 84 BPM | ||
Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8 | Max Reger, Huelgas Ensemble, Paul Van Nevel | C Major | 0 | 8B | 82 BPM | ||
Birkalåten | Gunnar Idenstam | F♯ Major | 2 | 2B | 68 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM | ||
Communion Improvisation Based on Pascha Nostrum | Daniel Roth | F Major | 0 | 7B | 84 BPM | ||
Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata. Allegro | Charles-Marie Widor, Christian Schmitt | F Major | 3 | 7B | 108 BPM | ||
Organ Imporvisation on Crux Fidelis | The Monks Of Glenstal Abbey | D Minor | 3 | 7A | 99 BPM |