"Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8" by Max Reger, Huelgas Ensemble, Paul Van Nevel was released on April 19, 2024. The duration of Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8 is about 3 minutes long, at 3:05. Based on our data, "Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Max Reger, Huelgas Ensemble, Paul Van Nevel's "Max Reger: Melancholy (Vocal Works)" album is number 1 out of 13. On top of that, Germany appears to be the country where this track was created. Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8 by Max Reger, Huelgas Ensemble, Paul Van Nevel to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Corpus Christi | Gregorian Chants, Cantori Gregoriani | B Major | 1 | 1B | 75 BPM | ||
Like a Darling: No. 3, Together | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | E Major | 0 | 12B | 79 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Kanon Pokajanen: Ode 8 | Arvo Pärt, Cappella Romana, Alexander Lingas | G Minor | 0 | 6A | 172 BPM | ||
Missa Virginis Mariae: VIII. Ite, missa est | Claudio Merulo, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | G Minor | 2 | 6A | 94 BPM | ||
Johannes-Passion, SWV 481: I. Introitus | Heinrich Schütz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Minor | 1 | 6A | 77 BPM | ||
Miserere a 9: No. 3, Quoniam iniquitatem - Tibi soli peccavi | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Octonaires de la vanité du monde, Livre 1: 1. L'eau va viste en s'escoulant | Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse | C Major | 1 | 8B | 177 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Present Yourselves as a Living Sacrifice | James O'Donnell, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 75 BPM |