George Butterworth, Roderick Williams, Iain Burnside made "11 Folk Songs from Sussex: No. 5. Come my own one" available on July 27, 2010. With 11 Folk Songs from Sussex: No. 5. Come my own one being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 25 in English Song Series, Vol. 20: Butterworth by George Butterworth, Roderick Williams. Based on our statistics, 11 Folk Songs from Sussex: No. 5. Come my own one's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 11 Folk Songs from Sussex: No. 5. Come my own one by George Butterworth, Roderick Williams, Iain Burnside is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM | ||
Holberg Suite, Op. 40: I. Prelude | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 70 BPM | ||
Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM |