"À la manière de Borodine, M. 63/1 (Arr. for Saxophone Quartet by Guillaume Berceau)" by Maurice Ravel, Quatuor Zahir was released on March 29, 2024. With À la manière de Borodine, M. 63/1 (Arr. for Saxophone Quartet by Guillaume Berceau) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Quatuor Zahir's "L'Heure bleue (Boulanger, Debussy, Finzi, Poulenc, Ravel, Waksman)" album is number 10 out of 23. On top of that, France appears to be the country where this track was created. À la manière de Borodine, M. 63/1 (Arr. for Saxophone Quartet by Guillaume Berceau) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of À la manière de Borodine, M. 63/1 (Arr. for Saxophone Quartet by Guillaume Berceau) by Maurice Ravel, Quatuor Zahir to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Wooden Prince, Sz. 60 (Final Version): III. First Dance - Dance of the Princess in the Forest, Pt. 1 | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: II. Andante con moto | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | D Minor | 3 | 7A | 101 BPM | ||
Consolations, S. 172 (Excerpts Arr. P. Dörpinghaus for Chamber Ensemble): I. Andante con moto | Franz Liszt, Salaputia Brass | D♭ Major | 0 | 3B | 71 BPM | ||
Kujawiak | Mieczysław Weinberg, Gidon Kremer, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 95 BPM | ||
Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
Hommage á Aram Khatschaturian for Clarinet Solo | Evgeni Orkin | C Major | 1 | 8B | 68 BPM |