"Lute Concerto in F Major: VII. Menuette" by Wenzel Ludwig vov Radolt, Hubert Hoffmann, Ars Antiqua Austria, Gunar Letzbor was released on January 27, 2015. With Lute Concerto in F Major: VII. Menuette being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 175 in the song's album "The Music of the Habsburg Empire (Live)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, Lute Concerto in F Major: VII. Menuette is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lute Concerto in F Major: VII. Menuette by Wenzel Ludwig vov Radolt, Hubert Hoffmann, Ars Antiqua Austria, Gunar Letzbor having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Transcr. Dähler & Giger) | Johann Sebastian Bach, Paul Giger, Marie-Louise Dähler | E Minor | 0 | 9A | 100 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Trio Sonata in D Minor, D01: I. Andantino | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Pièces à deux violes du Premier Livre, suite en ré mineur: III. Courante (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | E Major | 1 | 12B | 90 BPM | ||
Fantasia « Moro, Lasso » (d’après Carlo Gesualdo) | Jordi Savall, Hespèrion XXI | C Major | 0 | 8B | 87 BPM | ||
Trio Sonata in G Minor, Op. 1, No. 1, RV 73: III. Adagio | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM |