"Dark The Night" by East London Chorus, Locke Brass Consort, Paul Ayres was released on October 20, 1995. The duration of Dark The Night is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Dark The Night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in East London Chorus - Essentially Christmas: Seasonal Music By Rutter, Bliss, John Owen Edwards, Walton, Etc. by East London Chorus, Locke Brass Consort, Paul Ayres. In terms of popularity, Dark The Night is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dark The Night by East London Chorus, Locke Brass Consort, Paul Ayres is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Loch Lomond (Arr. J. Quick) | Traditional, Andrew Walker, The Elora Singers, Noel Edison | A♭ Major | 0 | 4B | 127 BPM | ||
Clothed in Righteousness | Craig Courtney, Various Artists, Jeff Lippencott, Northwest Sinfonia Orchestra | D Major | 1 | 10B | 97 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Le Jardin Féerique | Maurice Ravel, Laurence Equilbey, Accentus | C Major | 1 | 8B | 137 BPM | ||
Glory to the Holy One | Jeff Lippencott, Various Artists, Northwest Sinfonia Orchestra | G Major | 2 | 9B | 170 BPM | ||
The Lost Chord | Arthur Sullivan, Paul Ayres, Victoria Singers, The, Sarah Tenant-Flowers | F Major | 1 | 7B | 81 BPM | ||
Via Crucis: Andante Maestoso "Vexilla Regis prodeunt" | Franz Liszt, Netherlands Chamber Choir, Reinbert de Leeuw | B Major | 1 | 1B | 90 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C | Henry Purcell, John Eliot Gardiner, Charles Brett, Equale Brass Ensemble, Felicity Lott, John Williams, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra | B♭ Major | 1 | 6B | 90 BPM | ||
March of the Priests from 'The Magic Flute', K.620 | Wolfgang Amadeus Mozart, Locke Brass Consort, James Stobart | F Major | 0 | 7B | 76 BPM |