"Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C" by Henry Purcell, John Eliot Gardiner, Charles Brett, Equale Brass Ensemble, Felicity Lott, John Williams, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra was released on January 1, 1990. The duration of Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Purcell : Music for Queen Mary (Apex)". In this album, this song's track order is #15. In terms of popularity, Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C by Henry Purcell, John Eliot Gardiner, Charles Brett, Equale Brass Ensemble, Felicity Lott, John Williams, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mörike Lieder: An die Geliebte | Eduard Morike, Hugo Wolf, Thomas Allen, Geoffrey Parsons | F Major | 0 | 7B | 66 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 2 | 10B | 67 BPM | ||
Juxta Crucem | Andreas Scholl | C Minor | 1 | 5A | 88 BPM | ||
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM | ||
Os justi meditabitur sapientiam, WAB 30 | Anton Bruckner, The Monteverdi Choir, John Eliot Gardiner | C Major | 0 | 8B | 135 BPM | ||
Scenes from the Saga of King Olaf, Op. 30: As Torrents in Summer | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Handel: Alcina, HWV 34, Act 2: "Chi scopre al mio pensiero... Mi lusinga il dolce affetto" (Ruggiero) | Philippe Jaroussky | D Major | 1 | 10B | 76 BPM | ||
Purcell : King Arthur : Act 2 "Come, follow me" [Soprano, Bass, Chorus] | William Christie | C Major | 1 | 8B | 75 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | D Major | 0 | 10B | 78 BPM | ||
War Requiem, Op. 66: xxv. Libera Me - "Let us sleep now…" In paradisum | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Ian Bostridge, Simon Keenlyside, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | A Major | 0 | 11B | 111 BPM |