"Juxta Crucem" by Andreas Scholl was released on November 1, 2010. The duration of Juxta Crucem is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Juxta Crucem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 8 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Juxta Crucem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Juxta Crucem by Andreas Scholl to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dowland: "Flow My Tears" | John Dowland, Philippe Jaroussky, Thibaut García | A♭ Minor | 0 | 1A | 63 BPM | ||
Dixit Dominus: Dixit Dominus: Coro "Dixit Dominus" | George Frideric Handel, Akademie für Alte Musik Berlin, Malcolm Bennet, Vocalconsort Berlin, Hélène Guilmette, Marcus Creed, Andreas Scholl | F♯ Minor | 4 | 11A | 108 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Stabat Mater, RV 621: IV. Quis Est Homo | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | D Minor | 1 | 7A | 126 BPM | ||
Du Bist Die Ruh, Opus 59 No.3, D776 | Franz Schubert, Andreas Scholl, Tamar Halperin | B♭ Major | 0 | 6B | 166 BPM | ||
Dies irae, LWV 64/1: Dies irae dies illa | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | F Minor | 3 | 4A | 115 BPM | ||
Canciones Amatorias: El Cantar de los Cantares | Leo Brouwer, Andreas Scholl, Edin Karamazov | G Major | 1 | 9B | 129 BPM | ||
Germanico in Germania: Parto ti lascio, o cara | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Minor | 1 | 12A | 175 BPM |