"Stabat Mater, RV 621: IV. Quis Est Homo" by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini was released on 1995. The duration of Stabat Mater, RV 621: IV. Quis Est Homo is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Stabat Mater, RV 621: IV. Quis Est Homo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #16 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Stabat Mater, RV 621: IV. Quis Est Homo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater, RV 621: IV. Quis Est Homo by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Stabat Mater, RV 621: IV. Quis Est Homo being at 126 テンポ, the half-time would be 63 テンポ with a double-time of 252 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, RV 621: II. Cujus animam gementem | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E♭ Minor | 1 | 2A | 139 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
An den Schlaf | Johann Valentin Görner, Andreas Scholl, Karl-Ernst Schröder, Alix Verzier, Markus Markl | F♯ Major | 0 | 2B | 78 BPM | ||
Vivaldi: Giustino, RV 717: Sinfonia, 1. Allegro | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | F♯ Major | 1 | 2B | 139 BPM | ||
Canzonette d'amore | Claudio Monteverdi, Concerto Delle Dame Di Ferrara, Sergio Vartolo | B Minor | 0 | 10A | 100 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 49. Aria (Sopran) "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe | A♭ Minor | 0 | 1A | 107 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM |