"Handel: Alcina, HWV 34, Act 2: "Chi scopre al mio pensiero... Mi lusinga il dolce affetto" (Ruggiero)" by Philippe Jaroussky was released on October 29, 2012. Since Handel: Alcina, HWV 34, Act 2: "Chi scopre al mio pensiero... Mi lusinga il dolce affetto" (Ruggiero) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "The Voice". In this album, this song's track order is #7. Handel: Alcina, HWV 34, Act 2: "Chi scopre al mio pensiero... Mi lusinga il dolce affetto" (Ruggiero) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Handel: Alcina, HWV 34, Act 2: "Chi scopre al mio pensiero... Mi lusinga il dolce affetto" (Ruggiero) by Philippe Jaroussky having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
Bataille: El baxel està en la playa | Gabriel Bataille, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | G Major | 2 | 9B | 110 BPM | ||
Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses | François Couperin, Blandine Verlet | A Major | 3 | 11B | 86 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Handel: Siroe, re di Persia, HWV 24, Act 3: "Deggio morire, o stelle" (Siroe) | George Frideric Handel, Philippe Jaroussky | B Minor | 1 | 10A | 133 BPM | ||
De Bailly / Arr. Pluhar: Yo soy la locura. Passacalle (La Follie) | Henry de Bailly, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | E Minor | 3 | 9A | 134 BPM | ||
Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite | John Dowland, Philippe Jaroussky, Thibaut García | D Major | 0 | 10B | 119 BPM | ||
Roland, Opera, LWV 65: Acte I, scene 6: II. Air - Dans nos Climats sans chagrin on soupire (Deux Insulaires) | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | C Major | 1 | 8B | 122 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | G Minor | 2 | 6A | 106 BPM |