John Dowland, Philippe Jaroussky, Thibaut García's 'Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite' had a release date set for October 8, 2021. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in À sa guitare, so we believe that "Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite" is a single. In terms of popularity, Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite by John Dowland, Philippe Jaroussky, Thibaut García is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Pergolesi: Laudate pueri Dominum: IV. Quis sicut Dominus | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 81 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
The Most High and Mighty Christianus the Fourth, King of Denmark, His Galliard, P. 40 | John Dowland, Nigel North | C Major | 3 | 8B | 115 BPM | ||
Amor dormiglione | Barbara Strozzi, Constantinople, Suzie LeBlanc | A Major | 3 | 11B | 106 BPM | ||
Vocal Ice for Soprano Solo and Cello Octet | Bernat Vivancos, Núria Rial | F Minor | 1 | 4A | 77 BPM | ||
Nisi Dominus, RV 608: I. Nisi Dominus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | G Minor | 2 | 6A | 117 BPM | ||
Granados / Transcr. Garcia: 12 Tonadillas en estilo antiguo: No. 5, El mirar de la maja | Enrique Granados, Philippe Jaroussky, Thibaut García | E Minor | 0 | 9A | 102 BPM | ||
Barrios Mangoré: Vidalita con variaciones (And Reading of Poem "El Bohemio") | Agustín Barrios Mangoré, Thibaut García, Orlando Rojas | A Minor | 1 | 8A | 85 BPM | ||
Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM |