"Hugh the Drover, Act II: Pt. 10. Now You Are Mine!" by Ralph Vaughan Williams, Rebecca Evans, Bonaventura Bottone, Corydon Orchestra, Matthew Best was released on July 1, 1994. Hugh the Drover, Act II: Pt. 10. Now You Are Mine! is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Hugh the Drover by Ralph Vaughan Williams, Bonaventura Bottone, Corydon Orchestra, Matthew Best. The song's track number on the album is #10 out of 35 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Hugh the Drover, Act II: Pt. 10. Now You Are Mine! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hugh the Drover, Act II: Pt. 10. Now You Are Mine! by Ralph Vaughan Williams, Rebecca Evans, Bonaventura Bottone, Corydon Orchestra, Matthew Best has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hugh the Drover, Act II: Pt. 10. Now You Are Mine! being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 83 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM |