"Sonata for Solo Harp: I. Allegretto" by Germaine Tailleferre, Valérie Milot was released on March 22, 2011. The duration of Sonata for Solo Harp: I. Allegretto is about 3 minutes long, at 3:16. Based on our data, "Sonata for Solo Harp: I. Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of V - Chamber Music for Harp by Valérie Milot. The song's track number on the album is #1 out of 12 tracks. Sonata for Solo Harp: I. Allegretto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata for Solo Harp: I. Allegretto by Germaine Tailleferre, Valérie Milot has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata for Solo Harp: I. Allegretto being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Pastorale Inca: Pastorale Inca | Germaine Tailleferre, Quynh Nguyen | C Major | 2 | 8B | 171 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: IV. Sarabande | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 136 BPM | ||
Le long de la mer jolie (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | F Major | 2 | 7B | 109 BPM | ||
Partita for Piano: II. Notturno | Germaine Tailleferre, Quynh Nguyen | C Major | 2 | 8B | 171 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
C’est la belle Françoise (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | F Major | 2 | 7B | 109 BPM |