Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr's ' "Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Andante" was released on its scheduled release date, October 16, 2001. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 32 in Baroque Trumpet (The Art Of The), Vol. 5 by Wasa Baroque Ensemble, Edward H. Tarr. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Andante's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Andante by Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Dixit Dominus, RV 595: De torrente in via bibet: Largo | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E♭ Minor | 0 | 2A | 98 BPM | ||
Herzlich Lieb hab' ich dich, O Herr, BuxWV 41: I. Herzlich Lieb hab' ich Dich | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Major | 1 | 8B | 76 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Sinfonia No. 2 in D Major: III. Grave-Presto | Alessandro Stradella, Ensemble Arte Musica, Francesco Cera | D♭ Minor | 2 | 12A | 79 BPM | ||
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM |