Dmitri Shostakovich, Philharmonic Five made "Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet)" available on December 22, 2017. The duration of Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet)'s duration is considered a little bit shorter than the average duration of a typical track. Since Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Austria. In terms of popularity, Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet) is currently average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet) by Dmitri Shostakovich, Philharmonic Five having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Moscow Nights | Vasily Solovyov-Sedoi, Nemanja Radulović, Double Sens | A Minor | 1 | 8A | 88 BPM | ||
Rossini: La Pie voleuse: Ouverture | Gioachino Rossini, Sergiu Celibidache, Munich Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Igor Levit | A♭ Major | 0 | 4B | 63 BPM | ||
Jazz Suite No. 2: VI. Waltz No. 2 (Arr. for Chamber Ensemble) | Dmitri Shostakovich, Osterreichischen Salonisten | C Minor | 2 | 5A | 97 BPM | ||
Spanish Dance No. 1 (from La vida breve) | Manuel de Falla, Itzhak Perlman, David Garvey | A Major | 3 | 11B | 112 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM |