Gioachino Rossini, Sergiu Celibidache, Munich Philharmonic Orchestra's 'Rossini: La Pie voleuse: Ouverture' came out on 2004. Rossini: La Pie voleuse: Ouverture is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. Since Rossini: La Pie voleuse: Ouverture only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: La Pie voleuse: Ouverture's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: La Pie voleuse: Ouverture by Gioachino Rossini, Sergiu Celibidache, Munich Philharmonic Orchestra having a テンポ of 153 with a half-time of 76 テンポ and a double-time of 306 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Folies d'Espagne | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 108 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto | Franz Schubert, Trio opus100 | B Major | 2 | 1B | 85 BPM | ||
Elisabetta, regina d'inghilterra, Act II Scene 13: Deh! scusa i trasporti | Gioachino Rossini, Mert Süngü, Cracow Philharmonic Orchestra, Antonino Fogliani, Patrick Kabongo Mubenga | E Major | 7 | 12B | 119 BPM | ||
Gitanerías - 1997 Remastered | Ernesto Lecuona, Morton Gould and His Orchestra | G Minor | 5 | 6A | 145 BPM | ||
Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
Le Grand Blond avec une chaussure noire | Vladimir Cosma, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Minor | 3 | 7A | 98 BPM | ||
Khachaturian / Orch Walter: Gayaneh, Act 4: Sabre Dance | Aram Khachaturian, Camille Berthollet, Julien Masmondet, Monte-Carlo Philharmonic Orchestra | D Major | 6 | 10B | 90 BPM |