"Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86" by Claude Debussy, Paul Tortelier, Susan Milan, English Chamber Orchestra was released on January 21, 2024. Since Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 31 out of 47 in Debussy: Clair de lune and Other Masterpieces by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 by Claude Debussy, Paul Tortelier, Susan Milan, English Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Petite Suite: En Bateau - Arr. Henri Büsser For Orchestra | Henri Büsser, Gerald Garcia, Claude Debussy | G Major | 1 | 9B | 75 BPM | ||
Vocalise | Sergei Rachmaninoff, Andrew Litton, Branford Marsalis, English Chamber Orchestra | D♭ Minor | 1 | 12A | 82 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Debussy / Arr. Smith & Denisov: Rodrigue et Chimène, CD 80, L. 72, Act 2: "Quel est ce bruit" (Rodrigue, Don Diègue) | Claude Debussy, Kent Nagano, José van Dam, Laurence Dale, Orchestre de l'Opéra de Lyon | D♭ Major | 2 | 3B | 107 BPM |