"Matthäus-Passion, BWV 244 / Zweiter Teil: No. 54 "O Haupt voll Blut und Wunden"" by Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1989. With Matthäus-Passion, BWV 244 / Zweiter Teil: No. 54 "O Haupt voll Blut und Wunden" being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 54 "O Haupt voll Blut und Wunden" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 54 "O Haupt voll Blut und Wunden" by Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Telemann: Cantata, "Der am Ölberg zagende Jesus", TWV 1: 364: I. "Die stille Nacht umschloss den Kreis der Erden" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D Major | 0 | 10B | 80 BPM | ||
Nun danket alle Gott BWV 386 | Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | G Major | 3 | 9B | 68 BPM | ||
Jesu, meine Freude, BWV 227: III. Choral "Unter deinem Schirmen" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 1 | 2A | 77 BPM | ||
Messiah, HWV 56 / Pt. 1: 2. Air: Ev'ry Valley shall be exalted | George Frideric Handel, Anthony Rolfe Johnson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 0 | 5B | 112 BPM | ||
Panis angelicus | César Franck, Stephen Cleobury, Choir of King's College, Cambridge | A Major | 2 | 11B | 77 BPM | ||
Cantate, BuxWV 15: Alleluia | Dietrich Buxtehude, Laurence Equilbey, Accentus, Concerto Köln | B Minor | 2 | 10A | 77 BPM | ||
Tallis: If Ye Love Me | Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger | D Major | 1 | 10B | 135 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 1. Kyrie | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 85 BPM | ||
Messiah, HWV 56 / Pt. 1: 3. Chorus: And the glory of the Lord | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 83 BPM | ||
Les fêtes d'Hébé / Act 2: Air tendre - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Minor | 0 | 12A | 107 BPM |