Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder - Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs 情報

音響性: 96%
ダンサビリティ: 15%
エネルギー: 26%
手段性: 80%
活気: 11%
ラウドネス: 76%
話し言葉: 4%
価数: 17%
人気: 18%
ラウドネス: -14.669 dB

まとめ

"Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder" by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs was released on October 7, 2013. With this song being about 5 minutes long, at 4:56, "Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder" by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin's "J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)" album is number 31 out of 70. Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder テンポ

We consider the tempo marking of Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder キー

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

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Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto in E Major, RV 265: III. Allegro	Antonio Vivaldi, Akademie für Alte Musik Berlin	E♭ Major	3	5B	182 BPM
Jesu, der du meine Seele, Cantata BWV 78: 7. Chorale: Herr, ich glaube, hilf mir Schwachen	Johann Sebastian Bach, Julianne Baird, Allan Fast, Frank Kelly, Jan Opalach, The Bach-Ensemble, Joshua Rifkin	A Minor	2	8A	130 BPM
Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe"	Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge	D Major	0	10B	79 BPM
I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott	Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk	D♭ Major	3	3B	53 BPM
Sonata in G Major, K 13 (L 486)	Domenico Scarlatti, Glenn Gould	G Major	3	9B	101 BPM
III. Ich Geh Und Suche Mit Verlangen BWV 49, (5) Recitativo (Soprano, Basso): Mein Glaube Hat Mich Selbst	Pieter Jan Leusink, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Peter Frankenberg, Holland Boys Choir; Netherlands Bach Collegium	A♭ Major	0	4B	84 BPM
III. Freue Dich, Erlöste Schar BWV 30, Prima Parte, (1) Coro: Freue Dich, Erlöste Schar	Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Oeds Van Middelkoop, Susanne Grutzmacher, Johann Sebastian Bach, Sytse Buwalda, Doretthe Janssens, Ruth Holton, Nico Van Der Meel, Pieter Jan Leusink	D♭ Major	2	3B	85 BPM
La Clemenza di Tito: Se mai senti spirarti sul volto	Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck	D Major	1	10B	91 BPM
Concerto Armonico No. 1 in G Major: Grave	Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	63 BPM
Psaume 42, Op. 42: Coro "Wie der Hirsch schreit"	Felix Mendelssohn, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe, La Chapelle Royale	F Major	1	7B	85 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records