George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'O Thou That Tellest Good Tidings To Zion - Live' had a release date set for January 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 9 out of 54. On top of that, United States appears to be the country where this track was created. O Thou That Tellest Good Tidings To Zion - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Thou That Tellest Good Tidings To Zion - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Holly & The Ivy | Anonymous, The Choir of Royal Holloway | C Minor | 2 | 5A | 87 BPM | ||
Gaudete omnes | Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge | A Major | 1 | 11B | 94 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": III. Adagio - Allegro - Adagio | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | E♭ Major | 0 | 5B | 120 BPM | ||
Oratorio de Noël, Op. 12: No. 2 Et Pastores erant; Gloria | Camille Saint-Saëns, Antonia Bourvé, Marcus Ullmann, Sabine Czinczel, Jens Hamann, Romano Giefer, Les Favorites, Vocalensemble Rastatt, Holger Speck | B Major | 2 | 1B | 82 BPM | ||
Jesus Christ the Apple Tree | Elizabeth Poston, The Cambridge Singers, John Rutter | D♭ Major | 0 | 3B | 110 BPM | ||
In Paradisum (from "Requiem", Op. 48) | Gabriel Fauré, Katherine Jenkins, Nicholas Dodd, The London Session Orchestra | D♭ Major | 2 | 3B | 65 BPM | ||
Laudate Dominum | Wolfgang Amadeus Mozart, Katherine Jenkins, The Czech Film Orchestra, William Hayward | F Major | 4 | 7B | 122 BPM | ||
Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Barbara Hendricks, Arlette Amiel, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 87 BPM | ||
Ave Maria - Javier Busto | Dale Warland Singers | G Major | 0 | 9B | 162 BPM | ||
His Yoke Is Easy, His Burthen Is Light - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |