George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's ' "His Yoke Is Easy, His Burthen Is Light - Live" was released on its scheduled release date, January 1, 1987. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. His Yoke Is Easy, His Burthen Is Light - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 22 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, His Yoke Is Easy, His Burthen Is Light - Live is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of His Yoke Is Easy, His Burthen Is Light - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The day thou gavest, Lord, is ended | Clement Cotterill Scholefield, The Cambridge Singers, John Scott, John Rutter | A♭ Major | 1 | 4B | 83 BPM | ||
Motets for 5-8 Voices: Book 5 for 5 Voices: Exsultate Deo | Giovanni Pierluigi da Palestrina, The Cambridge Singers | A Major | 2 | 11B | 68 BPM | ||
Overture | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | C Major | 4 | 8B | 67 BPM | ||
Madrigali: No. 3. Amor, lo sento l'alma | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | C Major | 1 | 8B | 69 BPM | ||
L'enfance du Christ, H 130 - Arr. Chris Hazell: L'adieu des bergers | Hector Berlioz, Renée Fleming, London Voices, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 81 BPM | ||
O Radiant Dawn | James MacMillan, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
Messiah, HWV 56 / Pt. 1: And The Angel Said Unto Them | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | A Major | 1 | 11B | 86 BPM | ||
L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
Tomorrow Shall be my Dancing Day (arr. D. Willcocks) | Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison | B♭ Major | 1 | 6B | 129 BPM | ||
Ov e, Lass', Il Bel Viso | Nordic Chamber Choir - Nicol Matt | F♯ Major | 0 | 2B | 129 BPM |