"Romeo and Juliette, Act II: Entr'acte" by Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. The duration of Romeo and Juliette, Act II: Entr'acte is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Romeo and Juliette, Act II: Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 16 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act II: Entr'acte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliette, Act II: Entr'acte by Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Fantaisie for Piano and Orchestra, CD 72, L. 73: I. Andante - Allegro | Claude Debussy, François-René Duchâble, Orchestre National Du Capitole De Toulouse, Michel Plasson | D Major | 1 | 10B | 170 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Romeo and Juliette, Act IV: La Fiancee et les Fleurs | Charles Gounod, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Carmen, Act I, No.9 Chanson et Mèlodrame: Mon officier c'était une querelle Tra la, la, la, coupe-moi (Don José/Zuniga/Carmen/Cigarières) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 83 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Romeo and Juliette, Act IV: Amour ranime mon courage | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM |