"Carmen, Act I, No.9 Chanson et Mèlodrame: Mon officier c'était une querelle Tra la, la, la, coupe-moi (Don José/Zuniga/Carmen/Cigarières)" by Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse was released on 2003. The duration of Carmen, Act I, No.9 Chanson et Mèlodrame: Mon officier c'était une querelle Tra la, la, la, coupe-moi (Don José/Zuniga/Carmen/Cigarières) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Carmen, Act I, No.9 Chanson et Mèlodrame: Mon officier c'était une querelle Tra la, la, la, coupe-moi (Don José/Zuniga/Carmen/Cigarières)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. Carmen, Act I, No.9 Chanson et Mèlodrame: Mon officier c'était une querelle Tra la, la, la, coupe-moi (Don José/Zuniga/Carmen/Cigarières) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen, Act I, No.9 Chanson et Mèlodrame: Mon officier c'était une querelle Tra la, la, la, coupe-moi (Don José/Zuniga/Carmen/Cigarières) by Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Ai perigli della guerra...qua la mano giovinotto" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, English Chamber Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 87 BPM | ||
Carmen, Act III, No.23 Duo (continued..): Enfin ma colère / Quelle maladresse (Don José/Escamillo) | Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | F Major | 5 | 7B | 134 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Major | 0 | 11B | 91 BPM | ||
Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | ||
La Bohème / Act 1: "Pensier profundo!" | Giacomo Puccini, Ildebrando D'Arcangelo, Simon Keenlyside, Roberto Alagna, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 1 | 12B | 165 BPM | ||
Carmen, Act III, No.20 Trio: La mort / Parelez encore, parlez mes belles (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Major | 2 | 7B | 72 BPM | ||
Carmen, Act 3: Trio des Cartes: Mêlons! Coupons! (Frasquita/Mercedes/Carmen) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Orchestre National Du Capitole De Toulouse, Angela Gheorghiu, Isabelle Cals | C Major | 1 | 8B | 176 BPM | ||
Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres | D♭ Major | 6 | 3B | 97 BPM | ||
Verdi: Messa da Requiem: VII. Rex tremendae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Madama Butterfly / Act 2: Chi sia? | Giacomo Puccini, Christa Ludwig, Robert Kerns, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 85 BPM |