Johann Sebastian Bach, Hannah Morrison, Meg Bragle, Nicholas Mulroy, Peter Harvey, English Baroque Soloists, John Eliot Gardiner made "Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass)" available on March 4, 2014. With Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 19 in Bach: Easter Oratorio & Actus tragicus by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) by Johann Sebastian Bach, Hannah Morrison, Meg Bragle, Nicholas Mulroy, Peter Harvey, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Matthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte Herz | Stephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael George | E Minor | 1 | 9A | 130 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | ||
II. Himmelskönig, Sei Willkommen BWV 182, Choral (Coro): Jesu, Deine Passion | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Anneke Boeke, Holland Boys Choir; Netherlands Bach Collegium, Ruth Holton, John Wilson Meyer, Bas Ramselaar, Johann Sebastian Bach | D Major | 1 | 10B | 83 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
Jesu, meine Freude, BWV 227: VI. Ihr aber seid nicht fleischlich | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | A Major | 2 | 11B | 81 BPM | ||
Ermuntre Dich, Mein Schwacher Geist, Weihnachtsoratorium Bwv 248 | Nicol Matt, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Robert Sagasser, Jörg Halobek, Jens Wollenschläger, Soloist Of The Freiburger Barockorchester, Martina Rotbauer, Johann Sebastian Bach | F♯ Major | 3 | 2B | 81 BPM | ||
Dixit Dominus, ZWV 66: De torrente - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A Minor | 2 | 8A | 127 BPM | ||
Jesus nahm zu sich die Zwölfe, BWV 22: Recitative: Mein Jesu, ziehe mich nach dir (Bass) | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 80 BPM |