On September 20, 2000, the song "Concerto For 2 キーboards in C Major, BWV 1061: III. Vivace" was released by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach. Concerto For 2 キーboards in C Major, BWV 1061: III. Vivace is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach: Harpsichord Concertos III" album is number 6 out of 15. In terms of popularity, Concerto For 2 キーboards in C Major, BWV 1061: III. Vivace is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto For 2 キーboards in C Major, BWV 1061: III. Vivace by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, J: St John Passion, BWV 245, Part 2: No. 37 "O hilf, Christe, Gottes Sohn" (Chorus) | Johann Sebastian Bach, Marc Minkowski, Ditte Andersen, Lenneke Ruiten, Delphine Galou, David Hansen, Colin Balzer, Valerio Contaldo, Christian Immler, Felix Speer, Les Musiciens du Louvre | F♯ Minor | 0 | 11A | 81 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Rejouissance | Cologne Chamber Orchestra | A Minor | 2 | 8A | 139 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): I. Vivace | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | E♭ Major | 2 | 5B | 89 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Divertimento No. 17 in D Major, K. 334: II. Theme with variations: Andante | Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Major | 0 | 10B | 128 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: V. Allegro, non troppo | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 2 | 9A | 130 BPM | ||
Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM |