Eric Hammerstein, The London Promenade Orchestra made "Finale - Cat Like Tread from "The Pirates of Penzance"" available on April 19, 2020. The duration of Finale - Cat Like Tread from "The Pirates of Penzance" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Finale - Cat Like Tread from "The Pirates of Penzance"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Quarantine Opera Music". In this album, this song's track order is #19. Based on our statistics, Finale - Cat Like Tread from "The Pirates of Penzance"'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Finale - Cat Like Tread from "The Pirates of Penzance" by Eric Hammerstein, The London Promenade Orchestra having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio - Instrumental | Remo Giazotto, Richard Kapp, Philharmonia Virtuosi of New York | C Minor | 1 | 5A | 85 BPM | ||
Kunstler-leben (Artist's Life), Op. 316 : Kunstler-leben (Artist's Life), Op. 316 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 185 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | G Major | 1 | 9B | 78 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston | A♭ Major | 2 | 4B | 123 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM |