"Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp)" by Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston was released on February 3, 2003. The duration of Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Frémaux's "Massenet:Le Cid etc/Saint-Saëns:Le Cygne etc" album is number 13 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) by Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sérénade mélancolique, Op. 26, TH 56 for violin and orchestra | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
Pan Voyevoda, Op. 59: III. Nocturne: Clair de lune | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 1 | 5B | 138 BPM | ||
Saint-Saëns: The Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 0 | 9B | 180 BPM | ||
Oboe Concerto in D minor, Op.9 No.2 - Part 2 | Tomaso Albinoni, Tomaso Albinoni's Orchestra Trieste | G Major | 0 | 9B | 76 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Bach: Orchestral Suite No. 3 in D Major, BWV 1068: Air (Arr. for Violin and Orchestra) | Johann Sebastian Bach, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | D Major | 3 | 10B | 129 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM |