Arthur Sullivan, Steve Alder, Julie キーes, Kurt Bestor made "Onward Christian Soldiers" available on April 1, 2013. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sweet Is the Work: Peaceful Missionary Hymns On Flute and Harp". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Onward Christian Soldiers is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Onward Christian Soldiers by Arthur Sullivan, Steve Alder, Julie キーes, Kurt Bestor having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act Two: Aria Ali: Unter Palmen Schlief Ich Ein - opera | Manhattan School of Music Opera Theater | D Major | 0 | 10B | 85 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
2. Good Morrow, Pretty Maids | Arthur Sullivan, Caroline Baker, Anne Egglestone, Glynis Prendergast, James Conroy-Ward, Michael Buchan, Barry Clark, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 113 BPM | ||
Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
Die Fledermaus / Act 2: "Ich lade gern mir Gäste ein" | Johann Strauss II, Brigitte Fassbaender, Wolfgang Brendel, Wiener Philharmoniker, André Previn | D♭ Major | 1 | 3B | 77 BPM | ||
Ruddigore: Dialogue: "Ah, it's a thousand pities" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | B♭ Minor | 0 | 3A | 109 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
The Pirates of Penzance: Overture | New D'Oyly Carte Opera Orchestra | G Major | 1 | 9B | 140 BPM | ||
Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B♭ Major | 2 | 6B | 80 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM |