Girolamo Frescobaldi, Ensemble PHOENIX, Myrna Herzog, Itamar Hildesheim, Liron Givoni, Marina Katz, Marina Minkin, Ophira Zakai, Sharon Tadmor, Shmuel Magen, Sonia Navot, Tal Arbel's 'Se L'aura Spira Tutta Vezzosa' came out on April 19, 2024. With Se L'aura Spira Tutta Vezzosa being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble PHOENIX, Myrna Herzog's "Leonora Duarte, Palazzo & Synagogue" album is number 5 out of 21. On top of that, Brazil appears to be the country where this track was created. Se L'aura Spira Tutta Vezzosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Se L'aura Spira Tutta Vezzosa by Girolamo Frescobaldi, Ensemble PHOENIX, Myrna Herzog, Itamar Hildesheim, Liron Givoni, Marina Katz, Marina Minkin, Ophira Zakai, Sharon Tadmor, Shmuel Magen, Sonia Navot, Tal Arbel to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Begli occhi (Aria a due) | Girolamo Frescobaldi, Transports Publics, Thomas Baeté, Olalla Aleman, Griet De Geyter | G Major | 1 | 9B | 182 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Sinfonia | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | G Major | 2 | 9B | 60 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Sonata a 4 | Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain Glenton | F♯ Major | 2 | 2B | 86 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
Messa Delli Apostoli: Kyrye I | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Messa Della Domenica: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | D♭ Major | 2 | 3B | 130 BPM |