"Introitus: I. Requiem aeternam" by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena was released on January 1, 2001. The duration of Introitus: I. Requiem aeternam is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Introitus: I. Requiem aeternam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena's "Morales: Requiem" album is number 1 out of 28. Introitus: I. Requiem aeternam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Introitus: I. Requiem aeternam by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todes Banden, BWV 4: Aria. Jesu Christus, Gottes Sohn (Tenor) | Johann Sebastian Bach, Koki Katano, Bach Collegium Japan, Masaaki Suzuki | F Minor | 2 | 4A | 95 BPM | ||
Missa pro Defunctis (1544): Sequentia: "Dies irae" | Cristobal de Morales, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 73 BPM | ||
Sub tuum praesidium | Antoine Brumel, The Gesualdo Six, Owain Park | C Major | 0 | 8B | 102 BPM | ||
Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
L’Eraclito amoroso | Barbara Strozzi, Constantinople, Suzie LeBlanc | E Minor | 1 | 9A | 98 BPM | ||
Frescos ayres del prado | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 104 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Las estreyas se rien | Juan Gutiérrez de Padilla, Musica Ficta, Manuel Vilas, Raúl Mallavibarrena | F♯ Minor | 4 | 11A | 77 BPM |