"Oboe Concerto in C Major, Op. 7 No. 12: II. Adagio" by London Harpsichord Ensemble, Sarah Francis was released on November 25, 2013. With Oboe Concerto in C Major, Op. 7 No. 12: II. Adagio being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 24 in Albinoni Oboe Concertos by London Harpsichord Ensemble, Sarah Francis. Oboe Concerto in C Major, Op. 7 No. 12: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oboe Concerto in C Major, Op. 7 No. 12: II. Adagio by London Harpsichord Ensemble, Sarah Francis is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Purcell: King Arthur, Z. 628, Act 1 Scene 1: No. 1, Overture | Henry Purcell, Alison Balsom, Trevor Pinnock, The English Concert | D♭ Minor | 1 | 12A | 128 BPM | ||
Concerto for Flute and 2 Violins in G Major: II. Adagio | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 1 | 9B | 56 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: III. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | F Major | 0 | 7B | 83 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Concerto for Viola d'amore, Lute, Strings and Continuo in D Minor, RV. 540: I. Allegro | Antonio Vivaldi, Roy Goodman, Nigel North, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 78 BPM | ||
Oboe Concerto in D Minor, Op. 9 No. 2: I. Allegro e non presto | London Harpsichord Ensemble, Sarah Francis | D Minor | 2 | 7A | 154 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 2 | 2B | 169 BPM | ||
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM |