Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian's 'Concerto for Flute and 2 Violins in G Major: II. Adagio' came out on January 1, 2004. With this song being about 5 minutes long, at 5:13, "Concerto for Flute and 2 Violins in G Major: II. Adagio" by Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 18 in Albinoni, T.G.: Flute Concerto, Op. 9, No. 6 / Pergolesi, G.B.: Concerto for Flute and 2 Violins in G Major by Raffaele Trevisani, Constantine Orbelian. Concerto for Flute and 2 Violins in G Major: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Flute and 2 Violins in G Major: II. Adagio by Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian is Lento (slowly), since this song has a tempo of 56 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musique de table, Part III: Overture (Suite) in B-Flat Major, TWV 55:B1: III. Allegresse, vite | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 2 | 3B | 114 BPM | ||
Was mir behagt, BWV 208, "Hunt Cantata": Aria: Sheep may safely graze (arr. L. Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Moscow Chamber Orchestra, Constantine Orbelian | B♭ Major | 1 | 6B | 94 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 4: III. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 2 | 6B | 128 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Minor | 1 | 5A | 92 BPM | ||
French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra) | Johann Sebastian Bach, L. Schmutzler, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 132 BPM | ||
Atys, "Le Sommeil" Opera in 5 actes with prologue: Le sommeil | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | G Major | 1 | 9B | 146 BPM | ||
Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 80 BPM | ||
Concerto grosso in G Major, Op. 3, No. 3, HWV 314: III. Adagio | George Frideric Handel, Gerhart Hetzel, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | E Minor | 1 | 9A | 171 BPM | ||
Sinfonia Iii C Major - I - Allegro Assai | Josef Mysliveček, Czech Chamber Philharmonic | G Major | 3 | 9B | 147 BPM |