"Stabat Mater: 9. Sancta Mater" by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1989. With this song being about 5 minutes long, at 4:47, "Stabat Mater: 9. Sancta Mater" by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Pergolesi: Stabat Mater; Salve Regina". In this album, this song's track order is #9. Stabat Mater: 9. Sancta Mater is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 9. Sancta Mater by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Epistle Sonata in C major, K. 336 | Wolfgang Amadeus Mozart, Academy of Ancient Music, Christopher Hogwood | B Major | 3 | 1B | 132 BPM | ||
Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | ||
Jesu, der du meine Seele, Cantata BWV 78: 2. Aria: Wir eilen mit schwachen, doch emsigen Schritten | Johann Sebastian Bach, Julianne Baird, Allan Fast, The Bach-Ensemble, Joshua Rifkin | B♭ Major | 0 | 6B | 113 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Pietragrua: Tortorella | Carlo Luigi Pietragrua, James Bowman, Robert Spencer | E Minor | 2 | 9A | 114 BPM | ||
Dixit Dominus in D, RV 594: 8. De torrente SF | Antonio Vivaldi, King's College Choir, Cambridge/Academy of Ancient Music/Stephen Cleobury, Stephen Cleobury, Academy of Ancient Music | E♭ Minor | 1 | 2A | 96 BPM | ||
Madrigal, Op.35 | Gabriel Fauré, The Monteverdi Choir, Sabine Vatin, John Eliot Gardiner | D Minor | 0 | 7A | 106 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 112 BPM |