"If God Be For Us - Live" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra was released on January 1, 1987. With this song being about 5 minutes long, at 4:56, "If God Be For Us - Live" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 29 out of 54. On top of that, United States appears to be the country where this track was created. If God Be For Us - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of If God Be For Us - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vom Himmel hoch: I. Chor "Vom Himmel hoch, da komm ich her" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Minor | 2 | 8A | 83 BPM | ||
Candlelight Carol | John Rutter, City of London Sinfonia, The Cambridge Singers | F♯ Major | 1 | 2B | 75 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Zion hört die Wächter singen | Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum | E♭ Minor | 1 | 2A | 116 BPM | ||
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Emma Kirkby, Winchester College Quiristers, Winchester Cathedral Choir, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 87 BPM | ||
Vivaldi: Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus | Antonio Vivaldi, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy Chorus of St Martin in the Fields | D Major | 2 | 10B | 126 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze | D Major | 2 | 10B | 178 BPM | ||
La naissance d'Osiris: Premier et deuxieme tambourin | Jean-Philippe Rameau, Capella Savaria, Mary Terey-Smith | D♭ Major | 2 | 3B | 127 BPM | ||
Concerto Grosso In C Major, Op. 6, No. 10: IV. Corrente: Vivace | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | C Major | 2 | 8B | 94 BPM | ||
Tallis: If Ye Love Me | Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger | D Major | 1 | 10B | 135 BPM | ||
While Shepherds Watched Their Flocks (arr. David Willcocks) | Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | F Major | 1 | 7B | 75 BPM |