Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum's ' "Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Zion hört die Wächter singen" was released on its scheduled release date, 1981. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 21 in Bach: Cantatas BWV 140, 61 & 36 by Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Zion hört die Wächter singen is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Zion hört die Wächter singen by Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave verum corpus, K. 618 - Live | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | D Major | 0 | 10B | 86 BPM | ||
Transeamus usque Bethlehem | Traditional, Regensburger Domspatzen | B♭ Major | 3 | 6B | 71 BPM | ||
Es ist ein Ros' entsprungen | Michael Praetorius, Der Bielefelder Kinderchor, Gerhard Bunk | D♭ Major | 3 | 3B | 78 BPM | ||
Concerto grosso in F, Op.6, No.12: 1. Preludio: Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 77 BPM | ||
Deutsche Messe, D. 872: Zum Sanctus: Heilig, heilig ist der Herr | Franz Schubert, Leipzig Radio Chorus, male section, Jörg Peter Weigle | B♭ Major | 0 | 6B | 111 BPM | ||
Silent Night | Franz Xaver Gruber, The Cambridge Singers, City of London Sinfonia, John Rutter | B Major | 0 | 1B | 67 BPM | ||
Silent Night, Holy Night | Franz Xaver Gruber, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 1 | 8B | 133 BPM | ||
Mariä Wiegenlied, Op. 76/52 | Max Reger, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | A♭ Major | 1 | 4B | 86 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8 “Fatto per la notte di Natale”: I. Vivace - Grave | Arcangelo Corelli, American Bach Soloists, Dan Laurin, Hanneke van Proosdij, Jeffrey Thomas, Michael Sponseller, Tanya Tomkins | F♯ Major | 0 | 2B | 122 BPM | ||
Sankta Lucia | Adolf Fredriks kyrkas kammarkör, Karin Backstrom | D Major | 2 | 10B | 76 BPM |