"Mozart: Requiem in D Minor, K. 626: XIV. Communio" by Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker was released on 1987. Mozart: Requiem in D Minor, K. 626: XIV. Communio is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Requiem" album is number 14 out of 15. Mozart: Requiem in D Minor, K. 626: XIV. Communio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: XIV. Communio by Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Frank Peter Zimmermann, Wolfgang Sawallisch, Berliner Philharmoniker | D Major | 1 | 10B | 147 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 23 Choral: "Ich will hier bei dir stehen" | Johann Sebastian Bach, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 110 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Mozart: Requiem in D Minor, K. 626: XIV. Communio | Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Caroline Maria Petrig, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | D Minor | 2 | 7A | 76 BPM | ||
The Destruction Of Sennacherib - Live | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus | D Major | 2 | 10B | 75 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Magdalena Kozená, Berliner Philharmoniker, Sir Simon Rattle | E♭ Major | 0 | 5B | 80 BPM | ||
Die Schöpfung (The Creation), H. 21/2: III Sequentia: Dies Irae | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 75 BPM | ||
Tito Manlio, RV 738 / Act 3: Sonno, se pur sei sonno | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | C Minor | 0 | 5A | 57 BPM | ||
Stabat Mater RV 621: VIII. Facut | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | F Minor | 1 | 4A | 99 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM |