"Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz)" by Christoph Willibald Gluck, Jascha Heifetz, Gil Sharon, Idith Zvi was released on June 27, 2014. The duration of Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) is about 3 minutes long, at 3:09. Based on our data, "Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Top 50 Most Popular Classical Violin". In this album, this song's track order is #41. Furthermore, we believe that the track originated from Netherlands. Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) by Christoph Willibald Gluck, Jascha Heifetz, Gil Sharon, Idith Zvi having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Fantaisies: No. 10 in D Major, TWV 40:23: Fantasie No. 10 in D Major, TWV 40:23 | Georg Philipp Telemann, Augustin Hadelich | B♭ Major | 3 | 6B | 128 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 0 | 12B | 69 BPM | ||
La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | ||
Lalo: Symphonie espagnole in D Minor, Op. 21: I. Allegro ma non troppo | Édouard Lalo, Pierre Amoyal, Orchestre National de l'Opéra de Monte-Carlo, Paul Paray | B♭ Major | 1 | 6B | 153 BPM | ||
Kreisler-Porpora: Menuet | Tenenbaum & Kapp | D Major | 1 | 10B | 121 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. F. Kreisler for Violin & Piano) | Christoph Willibald Gluck, Elena Urioste, Tom Poster | D Minor | 0 | 7A | 84 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Mendelssohn: Song without words | Tenenbaum & Kapp | B♭ Major | 1 | 6B | 139 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
24 Caprices for Violin, Op. 1: No. 17 in E Flat | Niccolò Paganini, David Garrett, Bruno Canino | E♭ Major | 0 | 5B | 118 BPM |