Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live

Pyotr Ilyich Tchaikovsky, Martha Argerich, Gidon Kremer, Mischa Maisky
Start 2022 with Tchaikovsky
0:58 2022年1月8日
テンポ
53
キー
D♭ Minor
キャメロットミュージックキー
12A

リンクを埋め込む

共有

Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live - Pyotr Ilyich Tchaikovsky, Martha Argerich, Gidon Kremer, Mischa Maisky 情報

音響性
99%
ダンサビリティ
32%
エネルギー
9%
手段性
62%
活気
16%
ラウドネス
63%
話し言葉
5%
価数
36%
人気
ラウドネス
-22.339 dB

まとめ

Pyotr Ilyich Tchaikovsky, Martha Argerich, Gidon Kremer, Mischa Maisky's 'Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live' came out on January 8, 2022. With Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 92 in the song's album "Start 2022 with Tchaikovsky". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Germany. Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live テンポ

With Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live by Pyotr Ilyich Tchaikovsky, Martha Argerich, Gidon Kremer, Mischa Maisky having a テンポ of 53 with a half-time of 26 テンポ and a double-time of 106 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Piano Trio in A Minor, Op. 50, TH. 117: Var. IV: L'istesso tempo - Live キー

This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Masquerade Suite: Maskarad (Masquerade): I. Waltz by St. Petersburg State Symphony Orchestra, Aram KhachaturianMasquerade Suite: Maskarad (Masquerade): I. WaltzSt. Petersburg State Symphony Orchestra, Aram KhachaturianC Major38B94 BPM
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) by Academy of St. Martin in the FieldsPeer Gynt Suite No.1 op. 46 Morning (Allegro pastorale)Academy of St. Martin in the FieldsE Major012B68 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): II. HabaneraGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B127 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: I. The Sea and Sinbad's ShipNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoE Major112B136 BPM
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major by Frédéric Chopin, Idil Biret3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat MajorFrédéric Chopin, Idil BiretA♭ Major04B74 BPM
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo by Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud CapuçonDebussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivoClaude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud CapuçonC Major18B84 BPM
Sarasate: Zigeunerweisen, Op. 20 by Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleSarasate: Zigeunerweisen, Op. 20Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleC Minor15A83 BPM
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisPiano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenutoSergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisE Major112B141 BPM
L'Arlésienne Suite No. 2: Menuet by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No. 2: MenuetGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitE♭ Major05B128 BPM
Salut d'Amour, Op. 12 by Edward Elgar, Yo-Yo Ma, Kathryn StottSalut d'Amour, Op. 12Edward Elgar, Yo-Yo Ma, Kathryn StottD Major010B73 BPM
ISRC
DEF059830606
レコードレーベル
L-M Records/RCA Records